Trinity College Dublin recently posted individual hi-def images of every page (all 667 of ’em) of the justly famous illuminated manuscript known as the Book of Kells. What a wondrous orgy of color, calligraphy and ornamental design! The circa eighth-century masterpiece recently served as the inspiration for the highly acclaimed animated film, The Secret of Kells, which was nominated for an Academy Award for Best Animated Feature in 2010. This is an outstanding example of what can be accomplished when technology influences culture in a good way.
Like the country itself, our language is seasoned with the polyglot contributions of an array of cultures. And that doesn’t even include the home-grown slang that is uniquely American. So how do you find the perfect word when you’re nowhere near your reference shelf or computer? Thesaurus Rex for the iOS to the rescue! More than a static e-book, T-Rex is an iPhone app that engages the power of digital technology to help you refine your searches. According to its developers’ marketing hyperbole, “Thesaurus Rex has revolutionized that ‘list of synonyms’ into a dynamic experience that sorts and filters words by their senses, relevance, complexity, and length.” I plan to give it a test drive; I welcome every tool that helps me write better.
As the academy struggles with the changing definitions of scholarly publishing in a digital world, Nature magazine offers a special issue devoted exclusively to the subject. Not surprisingly, the Open Access movement is an overarching theme: from OA’s influence on publishing costs and copyright issues to the explosion of shady operators usuing bogus journals to fleece unwitting scholars. There’s also a piece about the awesome Digital Public Library of America (DPLA) initiative — about which more below.
The DPLA is envisioned to be “an open, distributed network of comprehensive online resources that would draw on the nation’s living heritage from libraries, universities, archives, and museums in order to educate, inform, and empower everyone in the current and future generations.” Think of it as the great Library of Alexandria rising Phoenix-like from its own ashes. You can read an excellent backgrounder on the project here.
And I’ll take this opportunity to note that my friend and colleague Dan Cohen has been tapped to take the helm as the inaugural executive director of the DPLA, so the program’s in very good hands. Dan was instrumental in the development of the Roy Rosenzweig Center for History and New Media (CHNM) at George Mason University, which serves as a polestar of the digital humanities movement. There’s already lots of interesting stuff at the DPLA website (so go have a look!), but the official launch is scheduled for April 18. This is history in the making, kidz — the DPLA will be the virtual house that we built.
Hands-free books? Publishing pundit Nathan Bransford philosophizes about how Google’s “Project Glass” might affect our reading habits. However, the cutting-edge specs are already being cloned in China, and an American firm (Vergence Labs) is offering its own iteration of the technology under the moniker of “Epiphany Eyewear.” Vergence claims its geeky-looking frames are a match for Google’s “smart glasses.” And the beat goes on…
In celebration of National Poetry Month — you knew it was National Poetry Month, right? — we’d like to draw your attention to a couple of unique genres of that literary medium. The first involves creating poetry by stacking up books (the physical, dead-tree kind) and reading the titles as verse. It’s all the rage on Pinterest and Tumblr. Go ahead, give it a try! In a somewhat higher-tech (though equally arbitrary) approach, techno-geeksters Sampsa Nuotio and Raisa Omaheimo harness the autocomplete feature in Google search to generate “Google Poetics.” You can see the results posted on their Tumblr page. Yes, you can join in the fun, and fear naught, the Mighty Google won’t pull the plug on this project.
The embarrassment of riches offered by the mass of information easily accessed on teh webz offers the temptation to indulge in sloppy scholarship and cut ‘n paste research methods. But beware: failure to attribute sources can ruin your weekend. Benjamin A. Neil, a legal affairs prof (truth!) at Towson University, was busted for serial plagiarism and felt obliged to resign his position as head of the local school system’s ethics panel as a result. Wise move, Ben. A master of understatement, Neil defended his cadged scholarship saying, “I don’t think I’ve done anything wrong. The issue seems to be that I didn’t put things in quotes.” D’oh! Consider this a cautionary tale, boys and girls. Purloin, publish and perish.
And while we’re on the subject: Mark Liberman (contributor at Language Log) commented on a blog post by John McIntyre, who was riffing on Roy Peter Clark’s blog post, who in turn cites Richard Posner’s Little Book of Plagiarism about a particularly abstruse aspect of literary replication Posner calls “self-plagiarism.” Whew! Now you can add the Digital Warrior-Poet to that list of breadcrumbs. And if you’re not seeing tracers yet (gotta love those psychedelics), note that there is a “National Summit on Plagiarism and Fabrication” going on at the American Copy Editor’s Society conference in St. Louis as I upload this post. Is it just me, or does the blog format tend to produce things that resemble the cover of Pink Floyd’s classic album, “Ummagumma”?
Finally, I’d like to note that the humanities lost a staunch evangelist this week with the passing of Roger Ebert. His fearlessness and accessible style brought film criticism out of the realm of literary snootiness and into our everyday lives. He taught us how to appreciate the intricacies of the cinematic medium and he did it with grace, humor and goodwill. In a time when we could really use a few more heroes, we are all the more conscious of our profound loss. Roger has taken a “leave of presence,” as he put it, and we will miss his wit and humanity. His passing stands as a gentle reminder to us all to embrace this day, this moment.
Aden Nichols is an independent editor and writer. He is available for print and digital projects: books (academic, narrative/creative nonfiction, memoir, speculative/alternate history, etc.), websites/social media, and business communications. Visit his website (www.LittleFireEditorial.com) or email him at: Aden@LittleFireEditorial.com.