“Britain’s Pompeii”: Looking like the love child of an old sailing ship and a flying saucer, the Mary Rose Museum made its debut in Portsmouth last Friday. The unique facility houses an equally unique historical artifact: the hull of the ill-fated Mary Rose, flagship of Henry VIII’s fleet. The ship sunk under mysterious circumstances during an engagement with an invading French armada in The Solent in 1545.
A veritable Tudor time capsule, the Mary Rose offered up a wealth of amazingly well-preserved artifacts. The treasure trove comprises clothing, personal items, longbows and arrows, musical instruments (including the only extant example of a still shawm, a medieval ancestor of the oboe—you can listen to a sound clip here), the master carpenter’s and barber-surgeon’s sea chests (with a full complement of the tools of their trades)—even the skeleton of the ship’s dog (a whippet-terrier cross) and one of the rats he no doubt terrorized.
Remains of nearly half of the 400-man crew (all but 35 went down with the ship) were recovered, 97 of which were near-complete skeletons. Of these, seven were selected to serve as models for facial reconstruction, utilizing techniques employed by criminal forensic artists (view a fascinating video of the process here). Tentative occupational identifications were determined by location of the remains (see diagram above) and forensic analysis of the bones.
Wikipedia has a very thorough entry covering the ship itself as well as the recovery operations. Finally, you should take the time to watch this 45-minute documentary, “Ghosts of the Mary Rose”; it offers a new and highly plausible hypothesis for the ship’s untimely demise:
Rockin’ the cosmos: I recently profiled a fella who made music in outer space; this week I’ll introduce you to some folks who make music from space itself. Wanda Diaz-Merced is a grad student performing an internship at the Harvard-Smithsonian Center for Astrophysics. She’s working on a project that uses a process called sonification to translate data drawn from X-rays emitted by the EX Hydrae star system into sound patterns. The researcher can manipulate pitch, volume, and rhythm to produce something akin to music.
One day a colleague, Gerhard Sonnert—who also happens to be a bass player—noticed that the sound patterns Diaz-Merced was generating were reminiscent of a common Afro-Cuban rhythm called a clave. Enlisting the aid of his cousin, Volkmar Studtrucker (a professional composer), the pair wrangled the cosmic waves into musical compositions in a variety of genres. They’ve even released an album: “X-Ray Hydra.” Now that’s what I call avant-garde!
“I’m mad as hell, and I’m not going to take it any more!” Lynne Truss (of Eats, Shoot & Leaves fame) advocates a subversive “no tolerance” approach to punctuation errors in signage—she’s even depicted in her author’s portrait poised before an offending sign with marker in hand and a mischievous grin plastered across her mug. But balaclavas notwithstanding, one would hope Truss didn’t intend to encourage “grammar terrorists” like Leonard Burdek.
Borrowing a dash of indignation from Howard Beale in the movie Network, Burdek waltzed into the reception area of the State of Oregon Teacher Standards and Practices Commission and declared that he had intended to blow up the sign outside because it was missing the letter ‘d’ in the word ‘and.’ To reinforce his point, he then sat a pressure cooker with wires hanging out of it on the counter.
Burdek claimed his home-brewed bomb misfired because there were so many grammatical errors in the online instructions he had trouble deciphering them. This decline in literacy should concern the organization responsible for certifying teachers, the mad bomber allegedly informed the shocked receptionist and her boss. He beat a hasty retreat when they dialed 911, but was soon arrested without incident (hey, he’s a grammar geek, not the Boston Marathon wingnuts). The “explosive device” was found to be fake and the whole affair a stunt to get attention and make a point. Kids, don’t try this at home.
Technology + words = art! I’d like to wrap up by calling your attention to a wonderful photographic study of the evolution of the typewriter by Vincze Mi Klós. Beginning with the first patent for a “Machine for Transcribing Letters” in 1714, the portfolio continues on through the electronic Brother WP-1 in the mid-1980s. Would you believe that the first electric typewriter made its appearance in 1870? Steampunk aficionados, prepare to drool!
Aden Nichols is an independent editor and writer. He is available for print and digital projects: books (academic, narrative/creative nonfiction, memoir, speculative/alternate history, etc.), websites/social media, and business communications. Visit his website (www.LittleFireEditorial.com) or email him at: Aden@LittleFireEditorial.com.